![]() It wasn’t until somewhere around mid summer 2018 that I really started devoting large chunks of time into writing. Things probably continued that way through half of 2018. At the time I was only working on this project on Sunday afternoons between other work. I started working these arrangements back in late 2017. How long did it take you to write and orchestrate this music?Ī. The combination of my love for this game and composer along with the frustration that I never ran across a proper tribute are what pushed me to pen this love letter to the series. The game Chrono Cross is one of my all time favorites, and despite it’s soundtrack as being heralded as one of the finest of it’s genera I always found it to be criminally neglected amongst all of the symphonically arranged VG albums that are popular these days. That combined with my passion for symphonic music was really the spark for this project. Ever since I was little I’ve been able to identify with his music. ![]() Yasunori Mitsuda has always been a very inspirational composer to me. What was your inspiration for this project?Ī. I asked John to tell me more about his process of writing and producing this music: Following that, additional recording of a dozen trumpets, trombones, tuba, and horns were added, along with percussion and singers, giving a rich orchestral sound of as many as 100 musicians on each piece. First, the orchestra of 45 (all real) strings and woodwinds was recorded in Hollywood at East-West Studios. I was pleased to be asked to record, edit, and mix Cross Symphonic, during the past year. ![]()
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